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Mainstream Studies of Dumbed-Down Compulsory Universal Schooling

This advocacy piece would merely be a paranoid, conspiratorialist rave–except that the actual evidence is all in the notes. (This posting isn’t intended so much as an article, as a set of easily accessible notes for making arguments.)

You can sometimes learn more from your presumptive ‘opponents’ than from your alleged friends, who can actually be acting in Pecksniffian self-interest presenting a highly-filtered public persona, on the presumption that they know better than you what you need to know. Regardless of the functional debilities of extreme leftism, Noam Chomsky still aspires to the tenet of classical liberalism, that “I strongly uphold your right to your point of view, no matter how strongly I disagree with you”. It’s sometimes worth listening to what he has to say.

Noam Chomsky, citing Ralph Waldo Emerson on the elites’ rationale for agitating for universal, compulsory education: “The grounds on which eminent public servants urge the claims of popular education, is fear” … [that, in their words, he says] … “This country is filling up with thousands and millions of voters, and you must educate them to keep them from our throats”, meaning, “educate them the right way,” keep their perspectives and their understanding narrow and restricted, discourage free and independent thought, and frighten them into obedience –something that’s done over and over in the schools as well–we’ve all experienced it.”

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Before factory schooling, young people, whether geniuses or working people, were free to write their own life script.

WE breed water dogs not to bite game birds, we hood falcons to control them, when race horses run too fast we “handicap” them with lead weights, and when students are in danger of independent learning so that they threaten to evade being conditioned into mindless consumers and docile, unquestioning employees of giant corporations, we subject them to “schooling”.
College graduates today have been denied, by design, a basic liberal-arts education that was freely available to many 1-room schoolhouse, elementary students prior to the imposition of universal forced schooling in the period 1880-1920. It was a result of planned, deliberate deprecation of curricula and intense, adverse behavioral conditioning, which long preceded their high school graduation. A vast store of evidence for this assertion, unknown to the general public, is in freely available authors in a tradition of “studies of Deliberate Dumbing Down K-12”. (Author list at the end of the article.)
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The issue of deliberate dumbing down (DDD), of unimaginably vast scope, centers on the confidential history, virtually never discussed openly in the press or taught in schools or colleges themselves, that contrasts the rigidly controlled, standard anti-intellectual conditioning children receive today in public schools, with the extreme opposite, self-directed, radical freedom which prevailed in America prior to the railroads (1840).
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America from the Colonial/Revolutionary period, until the mid-19th century, was an outpost of personal independence, granted immunity by geographical isolation, from the restrictive model of Europe’s old-world, highly stratified class system. (America was at a colonial “margin” at some distance from the imperial center, England. The historical dissolution in the mother country of the ancient, manorial-feudal medieval society in which peasants had traditional rights to the land which their lord could not abrogate, had been disrupted centuries earlier in England than in America, with the enclosure of common lands for specialized sheep-grazing for the Italian wool trade by the lower gentry, socially rapacious behavior in common with the higher nobility, friends of Henry VIII, in the despoiling of Church lands built up over centuries of free labor accumulation under the evangelical counsel of Poverty. This pattern of dissolution only encroached on the colonial margin in America, centuries after it happened at the center, in England.) For instance, it was illegal in 19th century England to teach to lower class children, what John Taylor Gatto termed “the active literacies”, writing, public speaking and the cultivation of eloquence.
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Concurrent with the liberal Protestant biblical studies (“Historical-Critical Method”) of Adolf von Harnack in the late 19th century which “proved” that biblical accounts of miracles were “fantasies”, agnostic or atheist northern German philosophers were instrumental in enlarging on the rationalist foundation of the French Enlightenment until the late 19th century rise of the Fabian Socialist Society (symbol: a wolf in sheep’s clothing) espoused by the high architects of compulsory, universal, dumbed-down schooling. In contrast with the 99% of humanity which has believed in some sort of God, “when people stop believing in God, they don’t believe nothing, they’ll believe anything”.
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“There can’t be a God, nor any Heaven”, (the outlook that “proves one is a ‘scientist‘ “), therefore, let’s “create” heaven on earth, “eat, drink and be merry, for tomorrow we die”, (never to be resurrected into any eternal paradise), continually “improving” humanity, reinventing ourselves, on Darwin’s racist model of human “survival of the fittest”, leading to Hitler’s death factories and ultimately, today, to Bill Gates’ great purge of the “excess” of the majority of humanity.
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A free people would never accept this. Therefore, starting in the mid-19th century, American children had to be wrested out of their family traditions and religions by secretly socialistic, anti-intellectual conditioning, subjecting them, in compulsory, universal, police-enforced, deliberately dumbed-down schooling, beyond the parents’ knowledge and understanding, to the endless drudgery of factory schooling, “at least keeping them off the streets and out of trouble”, precisely from the age when their brains should be furiously, delightfully absorbing everything about the wonderful, fascinating world.

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Mary carries all her children in her Heart

Mary, like a good mother, carries all her children in her Heart. … Our Lady will forever carry all the inhabitants of heaven in her inmost Heart, which becomes the Heaven of Heaven, and a true Paradise of the Elect, in which they find the fulness of delight and joy, due to the inconceivable love for each soul which consumes her maternal Heart … Thus the blessed will forever sing: Sicut laetantium omnium nostrum habitatio est in corde tuo, sancta Dei Genetrix. O holy Mother of God, thy boundless charity has so vastly extended thy maternal Heart that it has become like a great city, or rather an immense heaven, full of ineffable consolations and unspeakable joys for thy beloved children, whose happy dwelling it shall be for all eternity. … Let us draw nigh to this throne of grace and with great confidence Present our requests to the Mother of grace and mercy, Through the intercession of her Heart, most exalted, yet most tender, we shall obtain the graces that we need to become pleasing in the sight of the celestial majesty of God. — https://archive.org/details/the-admirable-heart-of-mary-st.-john-eudes/page/36/mode/1up
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To the Sacred Heart by Rafael Cardinal Merry Del Val, 1889

To sing the hymn, click the ▶ button or play the music in a New Window

To the Sacred Heart
Rafael Merry Del Val, 1889 St. Mary (Prys), 1621
1. Jesus, Thy heart has loved me well, 6. “Child, I saw thee in Satan’s hands,
Far more than I love Thee. Suffering and in woe;
I seek in vain, I cannot tell My heart so longed to break those bands,
Why Thou shouldst so love me. My love to crush the foe.”
2. T’was not my wealth that made Thee turn, 7. “I saw that dear, ungrateful man,
From heav’n’s bright home alone, Would leave the path of life,
And caused Thy sacred heart to burn But then, henceforth, through Me he can,
With that sweet flame of love. Be victor in the strife.”
3. What is there I can call my own, 8. “I wished poor souls to understand,
That was not ever Thine? That I had done my part, and,
On earth my All in heav’nly crown, By the cross to take their stand with,
Yet not but sin is mine. hopeful, loving heart.”
4. Nor was it that Thou hadst foretold, 9. Oh Sacred Love, my Lord, my All,
That I would grateful be, A God could love like this,
Thou knowest that my heart grown cold, And almost make that first man’s fall,
Would not remember thee. A constant source of bliss.
5. Oh Jesus tell me then, I pray. Henceforth sweet Lord the world’s renown,
What I have sought in vain, With me shall have no part,
The Midnight Cave and Calvary, Like Thee I’ll seek a thorny crown,
Why so much love and pain? And love Thy Sacred Heart.


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The Chaplet of the Divine Mercy Prayers, Music & Images

Separate and distinct images and meditations for each single prayer in The Chaplet of the Divine Mercy. Background music masterworks in separate settings of the ancient hymn Ave Verum Corpus, “Hail True Body” (Pope Innocent VI).

How to Use the Prayers, Music and Images on this page (Click/Expand or Bypass)
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This page is a mockup for a video of The Chaplet of the Divine Mercy currently under development. The video’s elements are in three layers.

The images with captions constitute a front layer. The images were originally developed as slides; in some instances there is excessive “white-space” at the bottom of the images. Please scan past the white-space and continue praying.

For the middle layer, praying out-loud the prayers displayed on the images, which you can do while scanning through each image in a series while each section’s background music is playing, is part of a testing process to eventually set up narration tempo (how fast the prayers are read), to be incorporated in the final video.

The back layer is the music audio tracks. Their length will be carefully balanced with the tempo of the narration; some notes may have to be cut or added to coordinate with the prayer sections. (In Windows, the music can be halted by touching the spacebar.)

You can help develop this project by praying the prayers and commenting the experience.


All seven of the background music selections are historic masterworks of the common practice period (1450-1950) based upon the text of the Gregorian Plainchant hymn “Ave Verum Corpus”, Hail True Body.


To audition the core thematic hymn, click the ▶ button to listen to the Gregorian Plainchant monody Ave Verum Corpus, attributed to Pope Innocent VI (1282-1362), or play the music in a New Window

Ave verum corpus, natum
de Maria Virgine,
vere passum, immolatum
in cruce pro homine
cuius latus perforatum
fluxit aqua et sanguine:
esto nobis praegustatum
in mortis examine.
[O Iesu dulcis, O Iesu pie,
O Iesu, fili Mariae.
Miserere mei. Amen]
Hail, true Body, born
of the Virgin Mary,
having truly suffered, sacrificed
on the cross for mankind,
from whose pierced side
water and blood flowed:
Be for us a sweet foretaste
in the trial of death!
[O sweet Jesus, O holy Jesus,
O Jesus, son of Mary,
have mercy on me. Amen.]


Prayers, Music and Images for The Chaplet of the Divine Mercy
Introduction Fourth Decade
First Decade Fifth Decade
Second Decade Conclusion
Third Decade



About the Introductory Prayer Section, Background Music (Click/Expand or Bypass)
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To audition background music for the Introductory Prayers of The Chaplet of the Divine Mercy (the short Introductory declarations of The Chaplet of the Divine Mercy, The Pater Noster, The Ave Maria, and The Apostles Creed), click the ▶ button to listen to an organ setting of the composition Ave Verum Corpus by the middle Renaissance Burgundian composer Josquin des Prez (1455-1521), or play the music in a New Window


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Jesus’ Eyes Downcast at the Moment He Died
Thou didst expire, Jesus, but the source of life gushed forth for souls, and the ocean of mercy opened up for the whole world.
O Fount of Life, unfathomable Divine Mercy, envelop the whole world and empty Thyself out upon us.
O Blood and Water, which gushed forth from the Heart of Jesus as a fountain of Mercy for us, I trust in Thee!

 

I believe in God, the Father almighty, Creator of heaven and earth, and in Jesus Christ, His only Son, our Lord, Who was conceived by the Holy Spirit, born of the Virgin Mary, suffered under Pontius Pilate, was crucified, died and was buried; He descended into hell; on the third day He rose again from the dead; He ascended into heaven, and sitteth at the right hand of God the Father almighty; from thence He will come to judge the living and the dead. I believe in the Holy Spirit, the holy Catholic Church, the communion of saints, the forgiveness of sins, the resurrection of the body, and life everlasting. Amen.


About background music for the First Decade of prayers of The Chaplet of the Divine Mercy (Click/Expand or Bypass)
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To audition background music for the First Decade of prayers of The Chaplet of the Divine Mercy, click the ▶ button to listen to an organ setting of the polyphonic acapella composition Ave Verum Corpus by the high Renaissance English composer William Byrd (1540-1623), or play the music in a New Window


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Eternal Father, I offer Thee the Body and Blood, Soul and Divinity of Thy Dearly Beloved Son, Our Lord, Jesus Christ, in atonement for our sins and those of the whole world.

 

He began to fear, and to be heavy, to grow sorrowful, His soul becoming saddened, unto death.
And when he was gone forward a little, he fell flat on the ground; and he prayed, that if it might be, the hour might pass from him. And He said: Abba, Father, all things are possible to Thee: remove this chalice from Me; but not what I will, but what Thou will.
And his sweat became as drops of blood, trickling down upon the ground.
“God put Jesus forward as a propitiation for forgiveness of sins by His blood, by the sacrifice of Himself.” ​ (Romans 3; Hebrews 9) Jesus was tormented in all the members and senses of His body, and was still more bitterly afflicted in all the powers of His soul; so that the internal pains which He endured infinitely surpassed His external sufferings.
From the moment of His Incarnation, He foresaw all the sufferings that He would undergo.
(In the Visitation, St. John the Baptist kneels within the womb of his mother, St. Elizabeth, adoring the Lord Jesus enthroned within the womb of His mother, the Blessed Virgin Mary.) Jesus even from the first instant of His life continually suffered all the torments of His Passion; He had before His eyes all the horrid scene of torments and insults which He was to receive from men, the scourges, the thorns, the cross, the outrages of His Passion, the desolate death that awaited Him. “My sorrow is continually before Me.” —Psalm 37:18
Him, who knew no sin, He hath made sin for us, that we might be made the justice of God in Him. — 2nd Corinthians 5:21
He came to die for love of us, that we might come to love Him. How is it possible for us to enter upon the meditation of the Passion of Jesus Christ without being wounded, as by so many darts of love, by those sufferings and agonies which so greatly afflicted the body and soul of our loving Lord, and without being sweetly constrained to love Him who loved us so much?
And there appeared to Him an angel from heaven, strengthening Him.
I die of love! … Come near and sustain Me in My mystic agony … Will you this evening be angels of consolation to me for one hour? – Fr. Mateo, January Holy Hour
And being in an agony, He prayed the longer.
His greatest sorrow was that He saw how His Passion and death, offered with supreme love, would be of no avail to many souls. His infinitely meritorious Sacrifice, the power to save men from all their sins, would be received with indifference and ingratitude. “Souls do not want to accept My mercy.”
And he came to His disciples, and found them asleep; and He said to Peter: What? Could you not watch one hour with me?
And Jesus said to him: Judas, do you betray the Son of man with a kiss?
Whom are you seeking? They answered Him: Jesus of Nazareth. Jesus said to them: I AM (Ἐγώ εἰμι – Ego Eimi- I, I AM). As soon therefore as He had said to them: I Am, they went backward, and fell to the ground. — John 18:5-6
Moses said to God: Lo, I shall go to the children of Israel, and say to them: The God of your fathers hath sent me to you. If they should say to me: What is His name? what shall I say to them? God said to Moses: I AM WHO AM. (YHWH) He said: Thus shalt thou say to the children of Israel: HE WHO IS, hath sent me to you. And God said again to Moses: Thus shalt thou say to the children of Israel: The Lord God of your fathers, the God of Abraham, the God of Isaac, and the God of Jacob, hath sent me to you: This is My Name for ever, and this is My memorial unto all generations. – Exodus 3: 13-15


About background music for the Second Decade of prayers of The Chaplet of the Divine Mercy (Click/Expand or Bypass)
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To audition background music for the Second Decade of prayers of The Chaplet of the Divine Mercy, click the ▶ button to listen to an organ setting of a composition of Ave Verum Corpus by the early French Baroque composer Marc-Antoine Charpentier (1643-1704), or play the music in a New Window


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Eternal Father, I offer Thee the Body and Blood, Soul and Divinity of Thy Dearly Beloved Son, Our Lord, Jesus Christ, in atonement for our sins and those of the whole world.

 

Then the band and the tribune, and the servants of the Jews, took Jesus, and bound Him, and they led Him away.
Greater love than this no man has, that He lay down His life for His friends. (John 15: 13) But He laid down His life for us, when we were not His friends, but enemies and rebels against Him.
Peter said: I do not know Him. And immediately, as he was yet speaking, the cock crowed. And the Lord turning looked on Peter.
And they brought Jesus to the high priest; and all the priests and the scribes and the ancients assembled together.
Art Thou the Christ, the Son of the blessed God? And Jesus said to him: I am. And you shall see the Son of man sitting on the right hand of the power of God, and coming with the clouds of heaven.
You say that I am a king. For this was I born, and for this came I into the world; that I should give testimony to the truth. Every one that is of the truth, hears My voice.
Because Jesus did not wish to be delivered from death, and because wicked Herod was not worthy of His answers, He was silent, and answered him not.
I find no cause in this man, in those things wherein you accuse Him, nor Herod neither. Nothing worthy of death is done to Him. I will chastise Him therefore, and release Him.
The plowers plowed upon My back; they made long their furrows. – Psalm 129:3
I have given my body to the strikers, and My cheeks to them that plucked them: I have not turned away My face from them that rebuked me, and spit upon Me. – Isaiah 50:6
But He was wounded for our transgressions, He was bruised for our iniquities; upon Him was the chastisement that made us whole, and with His stripes we are healed. – Isaiah 53:5


About background music for the Third Decade of prayers of The Chaplet of the Divine Mercy (Click/Expand or Bypass)
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To audition background music for the Third Decade of prayers of The Chaplet of the Divine Mercy, click the ▶ button to listen to an organ setting of a composition of Ave Verum Corpus by the late Renaissance and early Baroque English composer Fr. Peter Philips (1560-1628), or play the music in a New Window


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Eternal Father, I offer Thee the Body and Blood, Soul and Divinity of Thy Dearly Beloved Son, Our Lord, Jesus Christ, in atonement for our sins and those of the whole world.

 

Then the soldiers of the governor taking Jesus into the hall, gathered together unto Him the whole band.
They stripped Him, and put a scarlet cloak about Him; and platting a crown of  thorns, they put it upon His head, and a reed in His hand.
They struck His head with the reed: and they spit on Him. And they said: Hail, King of the Jews; and they gave Him blows.
He was despised and rejected by men; a man of sorrows, and acquainted with grief; and as one from whom men hide their faces He was despised, and we esteemed Him not. – Isaiah 53:3
Surely He hath borne our infirmities and carried our sorrows: and we have thought Him as it were a leper, and as one struck by God and afflicted. – Isaiah 53:4
This torture, the most painful and long-lasting of all, compressed His eyes together. Everywhere the thorns pierced into His head, the most sensitive part, every time they were touched, the anguish was renewed afresh. Our sins, our evil thoughts, were the wicked thorns which afflicted His sacred head.
Behold, O God our protector: and look on the face of Thy Christ. — Psalm 83:10
Jesus therefore came forth, bearing the crown of thorns and the purple garment.  And he saith to them: Behold the Man. But they cried out: Away with Him; away with Him; crucify Him!
For what crime was He sentenced to death? That of loving us, to rescue us from Satan’s clutches, to love us into eternal life.
Then therefore he delivered Him to them to be crucified. And they took Jesus, and led Him forth.


About background music for the Fourth Decade of prayers of The Chaplet of the Divine Mercy (Click/Expand or Bypass)
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To audition background music for the Fourth Decade of prayers of The Chaplet of the Divine Mercy, click the ▶ button to listen to a setting of a composition of Ave Verum Corpus as adapted from a fragment of figured bass, traditionally called an Adagio, attributed to the 18th-century Venetian Baroque composer Tomaso Albinoni (1671-1751), by the twentieth century Italian musicologist and composer Remo Giazotto (1910-1998), or play the music in a New Window


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Eternal Father, I offer Thee the Body and Blood, Soul and Divinity of Thy Dearly Beloved Son, Our Lord, Jesus Christ, in atonement for our sins and those of the whole world.

 

Consider how Jesus, in making this journey with the Cross on His shoulders, thought of us, and offered for us, to His Father, the death He was about to  undergo.
Consider this first fall of Jesus under His Cross. His flesh was torn by the scourges, His Head crowned with thorns, and He had lost a great quantity of blood. He was so weakened that He could scarcely walk; and yet He had to carry this great load upon His shoulders. The soldiers struck Him rudely, and thus He fell several times in His journey.
In the midst of condemned criminals there moves forward to death the King of heaven, the only-begotten Son of God, laden with His cross, to be executed, together with the malefactors, upon a gibbet of infamy.
Consider how the Jews, seeing that at each step Jesus was on the point of expiring, and fearing He would die on the way, when they wished Him to die the ignominious death of the Cross, constrained Simon the Cyrenean to carry the Cross behind our Lord.
Jesus and Mary looked at each other, and their looks became as so many arrows to wound those hearts which loved each other tenderly.
Consider the second fall of Jesus under the Cross—a fall which renews the pain of all the wounds of the Head and members of our afflicted Lord.
But Jesus said to them, “Weep not for Me, but for yourselves and for your children.”
Jesus’ face is wiped with the veil of Veronica.
Consider the third fall of Jesus Christ. His weakness was extreme, and the cruelty of His executioners excessive, who tried to hasten His steps when He had scarcely strength to move.
Consider the violence with which the executioners stripped Jesus. His inner garments adhered to His torn flesh, and they dragged them off so roughly that the skin came with them.
They have pierced My hands and feet. They have numbered all My bones. – Psalm 21:17-18

 


About background music for the Fifth Decade of prayers of The Chaplet of the Divine Mercy (Click/Expand or Bypass)
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To audition background music for the Fifth Decade of prayers of The Chaplet of the Divine Mercy, click the ▶ button to listen to a polyphonic organ setting, implicitly in a minor mode, of the Gregorian Plainchant Ave Verum Corpus, the original attributed to Pope Innocent VI (1282-1362), or play the music in a New Window


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Eternal Father, I offer Thee the Body and Blood, Soul and Divinity of Thy Dearly Beloved Son, Our Lord, Jesus Christ, in atonement for our sins and those of the whole world.
And I, if I be lifted up from the earth, will draw all things to Myself. — John 12:32
O Son, Divine Lord, made man, draw me entirely to Thyself, detach me from earth, crucify me with Thyself that I may become, in union with Thee, a sacrifice of praise for the glory of Thy Father.
They parted My garments amongst them; and upon My vesture they cast lots. – Psalm 21:19

Amen I say to thee, this day thou shalt be with Me in paradise. – Luke 23:39-43
Woman, behold thy son. … Behold thy mother. And from that hour, the disciple took her to his own. – John 19:26-27
And the dragon was angry against the woman: and went to make war with the rest of her seed, who keep the commandments of God, and have the testimony of Jesus Christ. – Revelation 12:17
My God, My God, why hast Thou forsaken Me?
Jesus was abandoned in His passion in order that we might not remain abandoned in the sins which we have committed.

 

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For the sake of His sorrowful passion,
have mercy on us, and on the whole world.

I THIRST. Thirst that did not proceeded from dryness, but which sprang from the ardor of His love for us, His desire to suffer for us, showing us His love, and the immense desire that He had of being loved by us, by the many sufferings that He endured for us.
Jesus therefore, when He had taken the vinegar, said: It is consummated.
And Jesus crying with a loud voice, said: Father, into Thy hands I commend My spirit. And saying this, He gave up the ghost.
When they saw that He was already dead, they did not break His legs. But one of the soldiers with a spear opened His side, and immediately there came out blood and water.


About background music for the Ending Prayers of The Chaplet of the Divine Mercy (Click/Expand or Bypass)
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To audition background music for the Ending Prayers of The Chaplet of the Divine Mercy, click the ▶ button to listen to an organ setting of the composition Ave Verum Corpus by the late Romantic English composer Edward Elgar (1857-1954), or play the music in a New Window


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Oh, how exceedingly tender, loving, and constraining was that declaration of our Blessed Redeemer concerning His coming into the world, when He said that He had come to kindle in souls the fire of divine love, and that His only desire was that this holy flame should be enkindled in the hearts of men: “I am come to cast fire upon the earth; and what will I but that it should be kindled?” —Luke 12:49
Even on the cross He has opened in His wounds so many fountains of grace, that to receive them it is sufficient to ask for them in faith. And, not satisfied with this, He has given us His whole self in the Most Holy Sacrament.
Eternal God, in whom mercy is endless and the treasury of compassion inexhaustible, look kindly upon us and increase Thy mercy in us, that in difficult moments we might not despair nor become despondent, but with great confidence submit ourselves to Thy holy will, which is Love and Mercy itself.
In the Name of the Father, and of the Son, and of the Holy Spirit. Amen.
May the most holy, most sacred, most adorable, most incomprehensible and ineffable Name of God be forever praised, blessed, loved, adored and glorified in heaven, on earth, and under the earth by all the creatures of God and by the Sacred Heart of Our Lord Jesus Christ in the Most Holy Sacrament of the Altar.
How the Several Main Traditional Catholic Groups, the SSPX, the FSSP and ICKSP, regard the Orthodoxy of The Chaplet of the Divine Mercy
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How do the several main Traditional Catholic groups, the SSPX, the FSSP and ICKSP regard the orthodoxy of The Chaplet of the Divine Mercy?

There is variation among Traditional Catholic groups, and it hinges on both their general approach to private revelation and their attitude toward the post–Vatican II liturgical landscape.

1. SSPX (Society of St. Pius X)

  • Official stance: The SSPX has historically been critical of the Divine Mercy devotion and chaplet. Their critique is not just about liturgical novelty, but also about the theological underpinnings of St. Faustina Kowalska’s diary.

  • Concerns include:

    • Ambiguous language about God’s mercy (they argue it risks minimizing God’s justice).

    • The association with John Paul II, who canonized Faustina and promoted the devotion, which the SSPX often interprets in the broader context of post-conciliar innovations.

    • The earlier 1959 prohibition (the Holy Office initially forbade public propagation of the devotion due to translation and theological concerns; this ban was lifted in 1978). The SSPX tends to point back to the fact that serious doubts once existed at the Vatican level.

  • Summary: The SSPX does not promote the Chaplet of Divine Mercy and often warns the faithful against it, preferring traditional devotions such as the Rosary, Sacred Heart, and traditional Stations of the Cross.


2. FSSP (Priestly Fraternity of St. Peter)

  • Official stance: The FSSP, being in full canonical union with Rome and generally deferential to papal guidance, accepts the Chaplet of Divine Mercy as orthodox and legitimate.

  • Practice: Many FSSP parishes may not emphasize it as much as the Rosary or traditional devotions, but they do not oppose it. Individual priests sometimes lead Divine Mercy devotions, especially around Divine Mercy Sunday.

  • Summary: Seen as an approved, orthodox devotion, but not at the center of their apostolate.


3. ICKSP (Institute of Christ the King Sovereign Priest)

  • Official stance: Like the FSSP, the ICKSP is fully regularized under Rome and does not oppose the Chaplet of Divine Mercy.

  • Practice: Their spirituality is heavily oriented to the Sacred Heart, Christ the King, and liturgical solemnity, so the Chaplet of Divine Mercy is not a major emphasis. However, it is not excluded or regarded as heterodox.

  • Summary: Accepted as orthodox, but not as central as older, “classic” devotions.


Overall picture

  • SSPX: Skeptical, critical, discourages it.

  • FSSP & ICKSP: Accept its orthodoxy, do not oppose it, but usually emphasize older traditional devotions.


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Pray the Chaplet of Divine Mercy

Click the podcast player above, and click to open the PDF file below to accompany it.

The Chaplet of Divine Mercy slideshow for praying with the sound file above.


Jesus told St. Faustina that He would give three tries, to get a departed soul to accept His mercy. (We can expect that the process of finally departing this life may take as long as 3 days.)


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Soul of My Savior (Anima Christi)

Click the Button to sing the prayer in Ab, or play the song in a New Window

Click the Button to sing the prayer in F#, or play the song in a New Window

Soul of My Saviour
Anonymous, 14th c. Translated by J. Hegarty. Rev. William J. Maher, 1823-1877.
1) Soul of my Saviour, sanctify my breast,
Body of Christ, be Thou my saving guest,
Blood of my Saviour, bathe me in Thy tide,
Wash me with water flowing from Thy side.
3) Guard & defend me from the foe malign,
In death’s dread moments make me only Thine;
Call me & bid me come to Thee on high,
Where I may praise Thee with Thy saints for aye.
2) Strength & protection may Thy Passion be,
O blessed Jesus, hear and answer me;
Deep in Thy wounds, Lord, hide and shelter me,
So shall I never, never part from Thee.
Amen.

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Anima Christi (“Soul of My Savior”)

Anima Christi, sanctifica me.
Soul of Christ, sanctify me.
Corpus Christi, salva me.
Body of Christ, save me.
Sanguis Christi, inebria me.
Blood of Christ, inebriate me.
Aqua lateris Christi, lava me.
Water from the side of Christ, wash me.
Passio Christi, conforta me.
Passion of Christ, strengthen me.
O bone Jesu, exaudi me.
O good Jesus, hear me.
Intra tua vulnera absconde me.
Within Thy wounds hide me.
Ne permittas me separari a te.
Suffer me never to be separated from Thee.
Ab hoste maligno defende me.
From the malignant enemy defend me.
In hora mortis meae voca me.
In the hour of my death call me.
Et iube me venire ad te.
And bid me come unto Thee.
Ut cum Sanctis tuis laudem te.
That with Thy Saints I may praise Thee.
In saecula saeculorum. Amen.
Forever. Amen.


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The Five Wounds

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The Five Wounds
Anonymous The Sodalist’s Hymnal,
Philadelphia, E.F. MacGonigle, 1887
P. 30
1) What are those wounds so deep, so red,
From which, dear Lord, Thy Blood was shed,
In priceless streams and sweet?
And who could do so base a sin,
As make those cruel gashes in
Thy hands and side and feet?
4) When bitter mem’ries of the past,
Their chilling shadows o’er me cast,
And hope gives way to fears,
Thy wounded Feet I’ll clasp and kiss,
And there, like Mary, taste the bliss
Of penitential tears.
2) They are the pledges of Thy love,
Which spent itself in death to prove
How dear we are to Thee;
They are the tokens of our guilt—
Those wounds we made, Thy Blood we spilt,
And nailed Thee to the tree.
5) When lightnings flash and thunders roll,
And terror strikes my inmost soul
At heaven’s angry form,
I’ll fly, O Jesus, to Thy Side,
And seek within Its wound so wide,
A shelter from the storm.
3) Though sad bereavements tear my heart,
Though sin and sorrow leave their smart,
And keen remorse I feel,
I’ll touch, dear Lord, Thy bleeding Palm,
Thy holy Hands distill a balm,
My deepest wounds to heal.
Amen.


Crucifixion with Mary Magdalene Kneeling and Weeping by Francesco Hayez (1791 – 1881)

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Lord Jesus Whom by Power Divine (Communion Preparation Hymn)


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Lord Jesus Whom by Power Divine
(Communion Hymn)
Anonymous Holy Face Hymnal (1891)
1) Lord Jesus Whom by pow’r divine,
Now hidden ‘neath the outward sign,
We worship and adore,
We worship and adore.
Grant when the veil away is roll’d,
With open face we may behold,
Thyself for evermore,
Thyself for evermore.
3) O Fount of Love, O cleansing Tide,
Which from the Saviour’s pierced Side,
And Sacred Heart dost flow,
And Sacred Heart dost flow.
Be ours to drink of Thy pure rill
Which only can our spirits fill.
And all we need bestow,
And all we need bestow.
2) O Food that weary pilgrims love,
O Bread of Angel hosts above,
O Manna of the Saints,
O Manna of the Saints.
The hungry soul would feed on Thee;
Ne’er may the heart unsolaced be,
Which for Thy sweetness faints,
Which for Thy sweetness faints.
Amen.

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After Communion

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After Communion
Co-operative Music Co. Philadelphia, 1911. Sacred Heart Hymns
1) Thou for whom I’ve long been sighing;
Jesus now at length Thou’rt mine,
In Thy sweet embraces lying,
Press, O press my heart to Thine.
Ah! what bliss this life completing,
Senses soul on You hath come,
Leap exultant to His greeting,
Bid Him welcome to your home.

3) When the rising sunlight blesses,
When the ev’ning bids farewell,
May my soul Thy sweet caresses,
My good Jesus ever feel.
Let not death nor life asunder,
Rend the bond that makes me Thine,
Ah, how blissful is the wonder,
That uplifts to life divine.
2) Happy morning sweet the hour_
That on which Thou cam’st to me,
Beauteous too that glorious power,
Where I bask in light from Thee.
Who possesses Thee possesses,
More than all this world bestows,
E’en the joys in heav’n that blesses,
To Thy Heart its fountain owes.
4) Life itself shall bear me ever,
Chanting all Thy mercies praise,
And when death shall come to sever,
This earth’s bond it too shall raise.
Songs triumphant ’till disclosing,
All Thy beauty face to face,
‘Mid Thy angels bright reposing,
Then transform me by Thy grace.

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Upon the Altar Night and Day

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Upon The Altar, Night And Day
Anonymous St. Basil Hymnal
(Unnamed Tune)
1) Upon the Altar, night and day,
The Heart of Jesus lies,
And night and day throughout the world,
Do men Its claims despise;
For by their cold ungrateful lives,
They pierce It through and through,
And by the scourges of their crimes,
Its agonies renew.
Chorus
Chorus:
Oh draw us close to Thee, sweet Lord!
And burning zeal impart,
To now repair, by praise and pray’r,
The wrongs of Thy dear Heart!
2) Beneath a crown of cruel thorns,
Thy Heart is all on fire;
And brightly shines from out Its flames,
The cross of Thy desire.
If pure and true must be the soul,
That fain would hide in Thee,
Oh! let Thy royal love supply,
For all our misery!
Chorus:
3) We offer Thee our humble gifts,
For poor they are and small,
Our hearts, our souls, our little lives,
Dear Heart! we give Thee all;
And joyous victims we shall be,
Consumed before Thy throne,
If dead to sin, if dead to self,
We live to Thee alone!
Chorus:



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Like a Strong and Raging Fire


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Like a Strong and Raging Fire
(Unnamed Tune).
Meter: 8.7.8.7.3x
Eleanor C. Donnelly,
1838 – 1917
In The Army and Navy Hymnal of 1921 and 1942
1) Like a strong and raging fire
In a narrow furnace pent,
Glows the Sacred Heart’s desire
In the Holy Sacrament
Round that sacred furnace thronging,
Shall these hearts refuse to burn?
Heart of love and tender longing
Shall we make Thee no return?
Chorus.
Chorus:
Bending low in adoration,
While our souls are borne above,
Hear our hymn of reparation,
Heart of Jesus! Be our love!
 
Final Chorus Postscript:
‘Twill be sweeter far to wear it,
Than a crown of fairest flow’rs.
2) Twas to cast abroad Love’s fire,
That our God from Heaven came;
May those sparks our love inspire,
May we burn with that blest flame!
All our sins, our slights, our coldness,
All our insults we deplore,
Pardon, Lord, our daring boldness,
We will never wound Thee more!
Chorus.
3) Blessed Lord! Thy Heart is cloven,
With the cross of bitter woe,
There are thorns a-round It woven,
And the blood-drops from It flow;
Let us take Thy cross, and bear it,
Let Thy thorny crown be ours,
‘Twill be sweeter far to wear it,
Than a crown of fairest flow’rs.
Chorus.

St. Basil’s Hymn Book: Containing Daily Prayers, Prayers at Mass, Litanies, Oxford Univ. Press, Toronto, Ont., 1888, #22, p. 103.


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